Superfantastic / Iconoclastic, known for my honesty and great ears. Taking the "cult" out of culture, putting the "errr..." into irreverence, one word at a time. Music-based, reaching into all of society.
Musician and writer, music editor for The Brooklyn Rail, wrote "Miles Davis' Bitches Brew" for 333Books, bylines at Financial Times, Bandcamp, VAN, New York City Jazz Record, New York Classical Review, Red Hook Star-Revue, etc.
Music writing that is not restricted by the demands, wishes, and timelines of the music industry. Writing, not advertising. Love, not a battle of the brands.
On sound and music and how they touch us deeply. Open and curious writing and recordings exploring archives, place, memory, myth, and the radical power of listening.